[Download 37+] Schilderij No. 1 Lozenge With Two Lines And Blue (1926)

Get Images Library Photos and Pictures. 1930 - Mondrian was long withdrawn from De Stijl, however still liked the stability of horizontal, and vertical lines. He had argued that his diagonal lines weren't diagonal, as the canvas had to be rotated 45-degrees to be viewed, as Mondrian liked that he could do longer lines in this manner versus the canvas being in its traditional position Berthe Morisot (1841-1895) Jeune fille remettant son patin Composition No. 6 by Piet Mondrian | Obelisk Art History

. Piet Mondrian - Apple tree in bloom 1930 - Mondrian was long withdrawn from De Stijl, however still liked the stability of horizontal, and vertical lines. He had argued that his diagonal lines weren't diagonal, as the canvas had to be rotated 45-degrees to be viewed, as Mondrian liked that he could do longer lines in this manner versus the canvas being in its traditional position mark rothko (1969)

Broadway Boogie Woogie, 1942 - 1943 - Piet Mondrian

Станислав Золадз

ROUTE ENNEIGÉE AUX ENVIRONS DE PARIS , 1879. by Armand Guillaumin

kim young-hun

□ VALERIAN GOALEC

biitumen: Rothko

Donald Hamilton Fraser (1929-2009) Landscape study, pink sky

Australian Bianca Chang is holding her first solo show Light Maps at A-M Gallery, Sydney. Bianca Chang is a self-taught designer and artist living and...

Piet Mondrian - Apple tree in bloom

"Nurse & Child" -- 1896-97 -- Mary Cassatt -- American -- Pastel on wove paper, laid down on canvas -- Metropolitan Museum of Art

HENRI MATISSE 1869 - 1954 FEMME ASSISE (MICHAELA) signed H. Matisse and dated mai 43 (lower left) charcoal and estompe on paper 48 by 38 cm. Executed in May 1943.

mark rothko (1969)

Por amor al arte: Zao Wou-Ki (1921-2013)

Bonhams : Raimonds Staprans (born 1926) Blue Boat, 1994 68 x 60in. (172.7 x 152.4cm)

Amelia Humber

Raimonds Staprans "Sunset-2", 1974

Piet Mondrian

1930 - Mondrian was long withdrawn from De Stijl, however still liked the stability of horizontal, and vertical lines. He had argued that his diagonal lines weren't diagonal, as the canvas had to be rotated 45-degrees to be viewed, as Mondrian liked that he could do longer lines in this manner versus the canvas being in its traditional position